
1970s–1980s IMPORT BRAND · C. BRUNO / KAMAN · USED MARKET
Memphis
Memphis guitars were affordable Asian imports distributed in the United States through C. Bruno & Sons during the Kaman era. The catalog ranged from familiar Fender- and Gibson-inspired instruments to more distinctive original designs such as the MG-100 and MG-300. The important caution is factory attribution: surviving examples and catalogs support multiple production sources, so a visual resemblance should not become a confident Matsumoku or Yamaki claim.
MODEL SEARCH
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OVERVIEW
What to know quickly
Factory resemblance is not factory proof. Memphis is exactly the kind of brand where “looks like Matsumoku” should remain a hypothesis until the guitar supplies stronger evidence.
IDENTIFY YOUR GUITAR
Which Memphis do you have?
Memphis model numbers, country markings and hardware should be recorded before comparing factories. Catalogs show both copy designs and distinctive original models, which should not be lumped together.
- Find the model number. MG-100, MG-300 and other catalog numbers are much more useful than “Memphis vintage electric.”
- Record country markings. Made-in-Japan examples and later Korean-component guitars belong to different production conversations.
- Identify the neck construction. Bolt-on, set-neck and through-neck designs can separate ordinary copies from better original models.
- Photograph pickups and pots. Electronics can provide useful origin clues when labels are absent.
- Compare with dated catalogs. Body and hardware matches are stronger when tied to a Memphis catalog rather than a forum memory.
SERIES & MARKET GUIDE
Copy-era Memphis and original-design Memphis should be priced separately
Memphis is discontinued. Used prices are broad orientation; current listings often contain unverified factory claims, so model and construction should lead.
USED VALUE GUIDE
The headstock name is less useful than the construction tier
A basic Memphis copy and an MG-series original can differ dramatically in build and market interest. Because the brand is lightly documented, sellers often substitute factory folklore for model identification.
- Verify the model. MG-series originals should not be compared with generic copy instruments.
- Treat factory claims as claims. Matsumoku and Yamaki are frequently mentioned, but documentation is incomplete.
- Inspect neck and brass hardware. Higher-spec construction is often physically obvious.
- Check electronics for replacements. Pickups and pots can be identification clues as well as value factors.
- Use multiple comparables. Sparse sales can make one optimistic asking price look like a market.
CURRENT USED MARKET
See what the market is doing now
Search the exact Memphis model plus “guitar,” and inspect the photos rather than trusting the listing title. The city name creates noisy search results, so model numbers matter even more here.
COMPARE
What else lives in this neighborhood?
The closest comparison depends on era, construction and factory—not simply the body outline.
WHAT TO WATCH FOR
Before you buy—or price—one
- Factory folklore. The most repeated factory name is not necessarily documented for the guitar in hand.
- Sparse model data. Catalog scans may be more useful than serial-number charts.
- Modified electronics. Original pickups can help establish tier and origin.
- City-name search noise. Always add “guitar” and the model number.
- Condition-driven repair cost. Common models can be uneconomical if neck or fret work is substantial.
HISTORY & COMMENTARY
A Kaman-era import line with more range than its reputation suggests
C. Bruno & Sons had a long history as a musical-instrument distributor and became part of Kaman’s expanding distribution network. Memphis joined that ecosystem as an affordable import line covering guitars, basses, amplifiers and effects.
The surviving 1977 and 1982 catalog evidence shows why a single factory story is too simple. Memphis included ordinary copies and more ambitious original designs, and later hardware evidence points toward changing production sources. For this brand, bounded claims are better than a neat but unsupported origin story.
WHAT PLAYERS LIKE
Why a Memphis can be worth picking up
- Affordable vintage. Common Memphis guitars can still be inexpensive.
- Distinctive originals. MG-100 and MG-300 style instruments deserve more attention than generic copies.
- Kaman / Bruno context. The brand connects to Ventura, Ovation-era distribution and broader import history.
- Factory sleuthing. Components and construction provide a useful research exercise.
- Player potential. A good individual guitar can outperform the brand’s modest reputation.
CURRENT RETAIL & REFERENCE
Public Memphis factory records are limited. This page intentionally distinguishes documented distribution history from uncertain contractor attribution.